You may be able to find oral histories or other firsthand accounts by searching for your nation in these databases.
You can also search the Books, eBooks & Media Catalog on your own! Perform a broad search, such as your nation's name, since books are longer and therefore cover broader topics.
The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home." Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer.
"Circle of Life" presents, in written form, traditional oral Native American sacred teachings involving spirituality, ceremonies, visions, healings, everyday life, and the warrior's way from the Iroquois, Lakota and other traditions. The author has been receiving these teachings orally from elders since he was a youth. The wisdom includes Native American views on cosmology, ethics, epistemology, metaphysics, sociology, psychology, healing, dream interpretation and vision quests.
Combining traditional historical sources with new insights from ethnography, archaeology, Indian oral tradition, and years of his original research, James Wilson weaves a historical narrative that puts Native Americans at the center of their struggle for survival against the tide of invading European peoples and cultures. The Earth Shall Weep charts the collision course between Euro-Americans and the indigenous people of the continent, from the early interactions at English settlements on the Atlantic coast, through successive centuries of encroachment and outright warfare, to the new political force of the Native American activists of today.
Here, Now: Indigenous Arts of North America at the Denver Art Museum features two hundred of the Denver Art Museum's most notable Indigenous artworks. Aimed at both longtime fans of Indigenous arts and those coming to them for the first time, this expansive book reinterprets the collection and offers new insights into the historic and contemporary work of Indigenous artists. The artworks--covering a range of media, artistic traditions, and time periods--are organized geographically and invite readers to make connections between the artworks and the places they were produced. The book also includes contributions by Indigenous authors reflecting on the collection and the current issues that affect contemporary Indigenous communities.
Ann Axtmann examines powwows as practiced primarily along the Atlantic coastline, from New Jersey to New England. She offers an introduction to the many complexities of the tradition and explores the history of powwow performance, the variety of their setups, the dances themselves, and the phenomenon of "playing Indian." Ultimately, Axtmann seeks to understand how the dancers express and embody power through their moving bodies and what the dances signify for the communities in which they are performed.
Since the time of Columbus, Indian slavery was illegal in much of the American continent. Yet, as Andrés Reséndez illuminates in his myth-shattering The Other Slavery, it was practiced for centuries as an open secret. There was no abolitionist movement to protect the tens of thousands of natives who were kidnapped and enslaved by the conquistadors. Reséndez builds the incisive case that it was mass slavery, more than epidemics, that decimated Indian populations across North America. New evidence, including testimonies of courageous priests, rapacious merchants, Indian captives, and Anglo colonists, sheds light too on Indian enslavement of other Indians -- as what started as a European business passed into the hands of indigenous operators and spread like wildfire across vast tracts of the American Southwest.
More than half of all Native Americans live in cities, yet urban Indians have not received the same attention as "traditional" Indians who dwell on reservations. This groundbreaking anthropological investigation shatters stereotypes of what it means to be an Indian in America, arguing that the transition to an urban lifestyle requires a reshaping and reconceptualizing of self-identity. Our Elders Lived It is the result of extensive fieldwork in an Upper Great Lakes midsized city, where life has been complicated by economic misfortune and social deprivation. Informed but not dominated by identity theory, Jackson's sensitive interviews and personal narratives allow the Indian community to speak for itself and to present its own vision of the challenges facing urban Native Americans.
Illuminating largely untold stories of hate crimes committed against Native Americans in the Four Corners region of the United States, this work places these stories within a larger history, connecting historical violence in the United States to present-day hate crimes. Bennett contends that hate crimes committed against Native Americans have persisted as an extension of an "Indian hating" ideology that has existed since colonization, exposing how the justice system has failed Native American victims and families.
The essays in Reclaiming Indigenous Voice and Vision spring from an International Summer Institute held in 1996 on the cultural restoration of oppressed Indigenous peoples. The contributors, primarily Indigenous, unravel the processes of colonization that enfolded modern society and resulted in the oppression of Indigenous peoples.
The early twentieth-century roots of modern American Indian protest and activism are examined in We Are Not a Vanishing People. It tells the history of Native intellectuals and activists joining together to establish the Society of American Indians, a group of Indigenous men and women united in the struggle for Indian self-determination.